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Worldwide Students Speak

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The Formula
Hinton Owens - Georgia
He is a gifted educator

I just received Robert Conti's Source Code Book Four ("The Formula") last week. The man has a way of packing a tremendous amount of information into my brain quickly. He is a gifted educator. His concept of harmonizing melodies is fantastic and it works great for me. If you have not seen a copy I recommend it to you. You will have fun reading it and applying his concepts to any standard tune within a couple of hours. It's the best money I have spent on a learning aid ever.

A knack for making the esoteric obvious!

I discovered Robert Conti through the article in Just Jazz Guitar Magazine. I have purchased his Chord Melody Assembly Line book/DVD, and am working through it at this time. Robert certainly has a knack for making the esoteric obvious! I would be interested to know of any new offerings he may have for guitar instruction. Also, he should really come back to his roots here in Pennsylvania once in a while so that us east-coasters can meet him, see him play, take a lesson or two!

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2 Hour Lesson
Tony Pereira - Las Vegas, NV
Best musical investment I've ever made

I just wanted to give a shout out to Robert Conti. I started taking lessons with Robert about 2 years ago and picked up a few tricks. I decided to get serious back in February and made a weekly appointment for a 2 hour lesson. It is the best musical investment that I have ever made. The progress has been amazing and his teaching style fits with the way I need to learn.

Robert teaches a no modes/no scales method...and he hates that I use the word “method”. Make no mistake though the guy knows his music theory. Not only does it sound good to your ear but he can explain at a Ph.D. level why it sounds good.

Do yourself a favor and take a lesson from the guy. I guarantee you will walk away with something new. Every week I have met with him save a few times when I was traveling and I walk away exhausted and energized.

He has completely changed my playing...for the good. He’s a rare combination of being a stellar player who can teach.

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Vol. 1 - Ticket To Improv
James V Brown - Churchton, MD
Wish I found this course much earlier...

Hi! My name is Jim Brown. I am retired and I have been playing guitar since I was a child. I have had a very difficult time learning jazz improvisation. I started the Conti Ticket to Improv course about six months ago and have to say that I wish I found this course much earlier in my guitar career. I have tried many guitar books and courses in the past, with little success. Most courses emphasize theory, scales and licks. The Conti method uses whole songs and melodic lines. None of the other methods I have tried in the past have given me the access to the melodic lines needed to learn jazz guitar. In particular, this method covers melodic lines that run four measures, or more, you learn by playing actual jazz solos. The Conti approach is ideal for people trying to learn jazz who feel like their progress has stalled. Mr. Conti is one of the true New York Italian jazz guitar pros of the sixties. For those of you on a limited budget like myself the cost of the CDs in the ticket to improv series is ridiculously low, especially when using the new streaming option. Now is the time to get instruction from a jazz great before the opportunity is gone.

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Intros, Endings, Turnarounds
David Klausner - Cocoa, FL
A new "light bulb" goes on...

I'm kind of working on all of my Robert Conti products. Every so often, I go back and review the material and I always find something I've missed and a new "light bulb" goes on. The "hands-on", play the instrument approach definitely works the best for me! Thanks for a great learning resource!

So, You Asked, Who Is This Conti Guy?

The 1960s

Robert Conti was born in South Philadelphia, an area that has produced a respectable number of great musicians including many legendary string players. His interest in jazz guitar began in 1958 at the age of twelve. With the exception of a brief period of lessons from Philly guitar virtuoso, Joe Sgro, Conti is a self taught musician. However, he is quick to credit Sgro as pointing him in the right direction.

In his early teen years, he began playing six-night engagements in a variety of show groups in the Philadelphia/New Jersey area, and spending his summers on the road. After graduating high school, Conti spent the next three years performing throughout the United States and Canada with a variety of show groups out of the Philly area.

While traveling to Philly after a Miami Beach engagement in 1965, Conti made an impromptu visit to a relative in Jacksonville, Florida. After three years of constant traveling, he was enticed by the beaches and Florida’s relaxed lifestyle. That intended brief visit was the beginning of Conti’s twenty-two-year residency in North Florida. During the next four years, he maintained a full teaching schedule and seized every opportunity to play jazz in North Florida.

The 1970s

In 1970, a series of extremely unusual circumstances thrust Conti into the securities business. During the following six years, Conti’s talents as an account executive flourished, as he amassed a host of coveted financial industry awards for unparalleled business achievements. In fact, Conti is credited as the mastermind of a highly sophisticated business strategy that produced over five hundred million dollars of windfall profits to a publicly held Florida company. Additionally, he advanced the concept of the financial supermarket as early as 1974. Needless to say, lofty achievements that are inconsistent with the typical personality profile of an artist/jazz musician.

By late 1975, the time demands of the high tension business of stock trading had created a major void in his life. That void was the absence of his music. Having attained all of his personal goals in the corporate arena, and no longer enamored by corporate financial trappings, he decided to trade his three piece suits and return to music. In early 1976, he resumed teaching students, and focused his effort on regaining his previous technical facility. In May of 1979, he recorded two albums for the L.A. based Discovery record label. The results of those first recordings were a clear indication that Conti had indeed regained his technical facility

The 1980s

Several albums followed on the Discovery/Trend labels through the 1980s, including a 1981 guest appearance as a featured artist on the extraordinary arranger/conductor Gerald Wilson’s “Orchestra Of The Eighties” – an album that featured an all-star roster of L.A.’s finest jazz musicians. He was also featured on one side of “The Living Legends” – an album with the late Joe Pass.

In the early part of 1982, a business associate persuaded Conti to participate in a short-term business venture. However, being cautious not to abandon music because of the extreme time demands of the business world, he managed to maintain a minimal performing schedule. As 1985 drew to a close, he chose to focus all of his time to performing and writing music. In 1986, Conti began performing in the Southeast, including a performance as a headliner at the prestigious Florida National Jazz Festival, where his sidemen included jazz giants, Jimmy McGriff on organ, and Nick Brignola on baritone sax.

In the latter part of that year, he was invited to perform at a jazz festival in Southern California, where he made an acquaintance with a music fan who was an executive with Beverly Hills film producer, Dino De Laurentiis. Two years later, that casual acquaintance resulted in Conti accepting a position with the De Laurentiis organization. In the summer of 1988, Conti relocated to Irvine, California, a pristine and affluent community just south of Los Angeles. Shortly after his relocation, he had the misfortune of a serious injury from an office accident that required months of extensive medical treatment. 

Upon partial recovery from the injury, Conti decided to resume his musical activity instead of returning to the De Laurentiis organization.

The 1990s

I first became aware of Robert Conti in early 1990, as the Southern California grapevine was continuously buzzing about a “monstrous guitarist” when Conti began that hotel gig. In fact, I heard so much talk that I decided to drive up to Irvine from San Diego to hear and draw my own conclusions. Upon entering the hotel, I immediately heard loud applause from a lobby audience that included business executives and the usual cadre of guitarists absorbing every note. Within the first five minutes of my arrival, it was apparent that everything I had heard about this musician was true. In the midst of this bustling business hotel, here was a solo guitarist whose technical prowess had an audience spellbound! When questioned later that evening, as to his early influences, he quickly cited Johnny Smith, Wes Montgomery and Howard Roberts as his heroes. Those influences were readily apparent, as his playing tastefully merges the stylistic trademarks of those super players into another fresh voice.

At the end of his performance, I introduced myself and asked if would be interested in doing an album for my newly formed Time Is record label. Conti responded, “Yes, only if I don’t have to travel. This gig is tantamount to my being on the road continuously, as the hotel is host to numerous guests from all over the world. In effect, they are on the road.”

In the years that passed since my first meeting with Robert Conti in 1990, I learned much more about the man other than the musician. He epitomizes a complete paradox of disciplines. Most musicians are generally in a tense state of mind in the recording studio. However, I observed this man nonchalantly walk into a Hollywood recording studio and front an all-star rhythm section to the absolute height of cooking straight-ahead jazz.

In bold contrast to Conti’s musical proficiency, his business/legal intellect grants him the ability to function with razor-sharp efficiency in the corporate environment, as he is just as comfortable in the midst of a dozen lawyers and accountants. In fact, on first meeting, his demeanor would cause one to readily assume that he is a corporate executive or an attorney, as he is a cordial gentleman most untypical of the usual artistic temperament of a musician of this caliber.