Reviews

Worldwide Students Speak

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2 Hour Lesson
Jack Marchewka - Phillips, WI
Doing more lessons with him...

Earlier this week I had the opportunity to do a 2-hour online lesson with Robert Conti.
Robert’s approach to teaching jazz guitar is to get you playing and that’s exactly what we did in our lesson. Just like his books and DVDs, there is a lot of information packed into a very small space. This can be deceiving, in my opinion, because it’s going to take time and effort on my part to learn and internalize the material. There aren’t any shortcuts.

The two hours went by quickly, and I look very much forward to doing more lessons with him. I also received a video of our lesson that day. As a teacher, Robert Conti was personable, patient, knowledgeable, and encouraging. As a side note, I really enjoyed his stories and look forward to hearing more in the future.

Great strings

Well balanced, easy to play strings with very good tone.

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Entrada Archtop Guitar
Erwin Kramer - Netherlands
A very happy guitar player...

For the last two decades or so I have been looking for a guitar with the following specs: thin body single cutaway jazz guitar, single pickup, good quality, good looks and above all affordable. I think I nailed it this time. I was browsing the web for the millionth time when I stumbled upon this site of Robert Conti. I immediately mailed them and they answered all my questions quickly and to the point. They even facilitated my indecisiveness on the bridge top: Gotoh T.O.M or compensated ebony. I got both. Since I live in The Netherlands, Europe I expected a long wait before I could hold the guitar I ordered in my hands. Not so. Shipped Monday and delivered Thursday! Thumbs up for both Conti Guitars and their shipping firm FedEx. I use the guitar already. Mr. Conti and his staff have made me a very happy guitar player indeed. This is stellar service. To be recommended!

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Gold Finger Tailpiece
Barry Sobrin - Ocean, NJ
Beautiful tailpiece

My brother has the Conti guitar which comes with this tailpiece. It is a really nice addition to any guitar, especially an archtop. I had to buy it for my upcoming custom made arch top!

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Vol. 2 - Ticket To Improv
Michel Boulet, Montreal
Ticket to improv 1-2-3-4

This is great stuff! I have been playing for a long time but I always felt a little stuck in the Jazz genre. These lessons are what I was looking for because they only imply earing and playing typical jazz sounds and making them your's so they can pop into your improvisations later on. There is no bettr way to learn and Robert Conti is a real champion teacher.

Judge.me YouTube video placeholder
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Entrada Archtop Guitar
Elliott Seymour - Plano, TX USA
Everything you described it to be...

Robert, the Entrada is everything you described it to be in the personal video you sent — and more! It plays smoothly and the notes are clear and very sharp. My wife, Linda, likes the color of the guitar, and the look of the Gold Finger tailpiece. In your video you explained that the Gold Finger tailpiece contributes to the sound of this beautiful arch top as well as looking nice.

I have enjoyed my equity model for 10 years, and now I can continue that enjoyment with a lighter guitar around my neck.

I started my Conti journey with your Source Code and Ticket To Improv DVDs, and now I am improving my playing with the live private online lessons with Robert. Wow! Great instructional products, wonderful guitars, and the outstanding teaching of Robert Conti.

Thank you again, and God bless you.

T
The Formula
Tony Silber
The Formula

Amazing stuff- secrets unlocked!

So, You Asked, Who Is This Conti Guy?

The 1960s

Robert Conti was born in South Philadelphia, an area that has produced a respectable number of great musicians including many legendary string players. His interest in jazz guitar began in 1958 at the age of twelve. With the exception of a brief period of lessons from Philly guitar virtuoso, Joe Sgro, Conti is a self taught musician. However, he is quick to credit Sgro as pointing him in the right direction.

In his early teen years, he began playing six-night engagements in a variety of show groups in the Philadelphia/New Jersey area, and spending his summers on the road. After graduating high school, Conti spent the next three years performing throughout the United States and Canada with a variety of show groups out of the Philly area.

While traveling to Philly after a Miami Beach engagement in 1965, Conti made an impromptu visit to a relative in Jacksonville, Florida. After three years of constant traveling, he was enticed by the beaches and Florida’s relaxed lifestyle. That intended brief visit was the beginning of Conti’s twenty-two-year residency in North Florida. During the next four years, he maintained a full teaching schedule and seized every opportunity to play jazz in North Florida.

The 1970s

In 1970, a series of extremely unusual circumstances thrust Conti into the securities business. During the following six years, Conti’s talents as an account executive flourished, as he amassed a host of coveted financial industry awards for unparalleled business achievements. In fact, Conti is credited as the mastermind of a highly sophisticated business strategy that produced over five hundred million dollars of windfall profits to a publicly held Florida company. Additionally, he advanced the concept of the financial supermarket as early as 1974. Needless to say, lofty achievements that are inconsistent with the typical personality profile of an artist/jazz musician.

By late 1975, the time demands of the high tension business of stock trading had created a major void in his life. That void was the absence of his music. Having attained all of his personal goals in the corporate arena, and no longer enamored by corporate financial trappings, he decided to trade his three piece suits and return to music. In early 1976, he resumed teaching students, and focused his effort on regaining his previous technical facility. In May of 1979, he recorded two albums for the L.A. based Discovery record label. The results of those first recordings were a clear indication that Conti had indeed regained his technical facility

The 1980s

Several albums followed on the Discovery/Trend labels through the 1980s, including a 1981 guest appearance as a featured artist on the extraordinary arranger/conductor Gerald Wilson’s “Orchestra Of The Eighties” – an album that featured an all-star roster of L.A.’s finest jazz musicians. He was also featured on one side of “The Living Legends” – an album with the late Joe Pass.

In the early part of 1982, a business associate persuaded Conti to participate in a short-term business venture. However, being cautious not to abandon music because of the extreme time demands of the business world, he managed to maintain a minimal performing schedule. As 1985 drew to a close, he chose to focus all of his time to performing and writing music. In 1986, Conti began performing in the Southeast, including a performance as a headliner at the prestigious Florida National Jazz Festival, where his sidemen included jazz giants, Jimmy McGriff on organ, and Nick Brignola on baritone sax.

In the latter part of that year, he was invited to perform at a jazz festival in Southern California, where he made an acquaintance with a music fan who was an executive with Beverly Hills film producer, Dino De Laurentiis. Two years later, that casual acquaintance resulted in Conti accepting a position with the De Laurentiis organization. In the summer of 1988, Conti relocated to Irvine, California, a pristine and affluent community just south of Los Angeles. Shortly after his relocation, he had the misfortune of a serious injury from an office accident that required months of extensive medical treatment. 

Upon partial recovery from the injury, Conti decided to resume his musical activity instead of returning to the De Laurentiis organization.

The 1990s

I first became aware of Robert Conti in early 1990, as the Southern California grapevine was continuously buzzing about a “monstrous guitarist” when Conti began that hotel gig. In fact, I heard so much talk that I decided to drive up to Irvine from San Diego to hear and draw my own conclusions. Upon entering the hotel, I immediately heard loud applause from a lobby audience that included business executives and the usual cadre of guitarists absorbing every note. Within the first five minutes of my arrival, it was apparent that everything I had heard about this musician was true. In the midst of this bustling business hotel, here was a solo guitarist whose technical prowess had an audience spellbound! When questioned later that evening, as to his early influences, he quickly cited Johnny Smith, Wes Montgomery and Howard Roberts as his heroes. Those influences were readily apparent, as his playing tastefully merges the stylistic trademarks of those super players into another fresh voice.

At the end of his performance, I introduced myself and asked if would be interested in doing an album for my newly formed Time Is record label. Conti responded, “Yes, only if I don’t have to travel. This gig is tantamount to my being on the road continuously, as the hotel is host to numerous guests from all over the world. In effect, they are on the road.”

In the years that passed since my first meeting with Robert Conti in 1990, I learned much more about the man other than the musician. He epitomizes a complete paradox of disciplines. Most musicians are generally in a tense state of mind in the recording studio. However, I observed this man nonchalantly walk into a Hollywood recording studio and front an all-star rhythm section to the absolute height of cooking straight-ahead jazz.

In bold contrast to Conti’s musical proficiency, his business/legal intellect grants him the ability to function with razor-sharp efficiency in the corporate environment, as he is just as comfortable in the midst of a dozen lawyers and accountants. In fact, on first meeting, his demeanor would cause one to readily assume that he is a corporate executive or an attorney, as he is a cordial gentleman most untypical of the usual artistic temperament of a musician of this caliber.