It's early days as I have only recently started working my way through the Jazz Lines. But, even with only lesson one completed, I can see a connection between the chords, the notes and how moveable and applicable the lines are. I plan to be back and comment further and possibly even film me playing sometime.

I just love all the material presented. I have all the Source Code and Ticket to Improv series. Even though the TTI series is an introduction, I find that coupled with The Jazz Lines you can find endless ideas from those "simpler" lines presented. I really think I've seen other people imitating the approach Conti has used for decades. The problem with theory is that many students don't understand how to apply it. Robert demonstrates that theory in real world application. Anyone who understands theory can analyze Robert's lines and see how that theory works in real playing. I think Robert understands theory as much as any music theory teacher, but he also knows that on the bandstand the mind doesn't have time to compute all that information when chords are flying by at break neck tempos. He just presents things that make sense to the mind in real time playing.

Hi, I've been toiling away with my improvisation over the last few months, I've been having fun with the ticket to improv stuff, sounding like a jazz guitarist even if it's only learning Robert's solos. I have been dipping in and out of The Jazz Lines course and understood the first few lessons so everything was going well. However imagine my surprise the other day when I finally get a bit of time to noodle over a ii-V-I C major backing track when all these lines that Robert has shown me start to come out. Now I have no idea why its working but I'm moving all over the neck with lines from The Jazz Lines and Ticket to Improv and I'm not hitting any rough notes. It blew my mind that I was moving across the fretboard, improvising without knowing what CAGED shape I was in or what scale or arpeggio etc I was playing but it was working. Now I know Robert said the lights would come on eventually but I never really thought it would for me. There is still a long way to go but it has given me a renewed sense of hope that one day I'll get there. So I just wanted to let Robert know that I'm very thankful for his courses so Thanks. Hope this email finds you all well.

Hi Robert. I purchased your "The Jazz Lines" course yesterday and already such a revelation.

With just the knowledge of 3 patterns (Fmaj, Abmaj, and G augmented) I have made more intuitively melodic solo lines than in the rest of my playing days - in fact I find that you almost can't help but find a pattern under your fingers to exploit and explore.

I also really like how your personality shines through in the videos - you're a really likeable human and a great player. A real inspiration to me. Cheers and happy new year.

Hello, I am truly inspired by Robert Conti's instruction. I have very much enjoyed his "Source Code" video lessons, it really is exactly what I am looking for to play more traditional jazz. I really can't put into words what these lessons have done for me. I know I will buy more lessons from this website. I have seen Conti in action on Youtube. Robert Conti has just completely opened the door to jazz for me. I love these lessons so much. Thank you for sharing these jazz secrets that no one wants to tell. So happy I finally decided to lay down some money and really check this out.

I just started the Jazz Lines DVD and I'm very happy with the lessons. It's got me playing outside my usual boxes and I'm excited to continue going through all the DVDs in the future.

Hello Robert Dave Doyle here I really enjoy your books and DVD tutorials. You would have changed my live had I meet you 30 years ago. Boy would I have loved to met you at that hotel gig in L.A . in 1988 that lasted so long. I am 64 years old I came up in a great time for music ,,,the 60's but not such a hot time for jazz guitar education. All we had were the Mickey Baker books and the Berklee stuff. Mickey Baker was great intro to chords ,,but Robert I hate to say it for the life of me I could never play thru the tune examples and make any sense of them, Finally I said to Hell with it & started doing what I should have done to start with. I started buying LPs by Kenny Burrell, BB King, T bone Walker and Grant Green and started "wood shedding" 'copping solos off records, Question: Do you ever teach privately or in workshops in LA or Vegas? Please let me know. I'd really like to meet you. Best Regards and Keep up the great work you're involved with