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2 Hour Lesson
Jack Marchewka - Phillips, WI
Doing more lessons with him...

Earlier this week I had the opportunity to do a 2-hour online lesson with Robert Conti.
Robert’s approach to teaching jazz guitar is to get you playing and that’s exactly what we did in our lesson. Just like his books and DVDs, there is a lot of information packed into a very small space. This can be deceiving, in my opinion, because it’s going to take time and effort on my part to learn and internalize the material. There aren’t any shortcuts.

The two hours went by quickly, and I look very much forward to doing more lessons with him. I also received a video of our lesson that day. As a teacher, Robert Conti was personable, patient, knowledgeable, and encouraging. As a side note, I really enjoyed his stories and look forward to hearing more in the future.

Great strings

Well balanced, easy to play strings with very good tone.

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Entrada Archtop Guitar
Erwin Kramer - Netherlands
A very happy guitar player...

For the last two decades or so I have been looking for a guitar with the following specs: thin body single cutaway jazz guitar, single pickup, good quality, good looks and above all affordable. I think I nailed it this time. I was browsing the web for the millionth time when I stumbled upon this site of Robert Conti. I immediately mailed them and they answered all my questions quickly and to the point. They even facilitated my indecisiveness on the bridge top: Gotoh T.O.M or compensated ebony. I got both. Since I live in The Netherlands, Europe I expected a long wait before I could hold the guitar I ordered in my hands. Not so. Shipped Monday and delivered Thursday! Thumbs up for both Conti Guitars and their shipping firm FedEx. I use the guitar already. Mr. Conti and his staff have made me a very happy guitar player indeed. This is stellar service. To be recommended!

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Gold Finger Tailpiece
Barry Sobrin - Ocean, NJ
Beautiful tailpiece

My brother has the Conti guitar which comes with this tailpiece. It is a really nice addition to any guitar, especially an archtop. I had to buy it for my upcoming custom made arch top!

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Vol. 2 - Ticket To Improv
Michel Boulet, Montreal
Ticket to improv 1-2-3-4

This is great stuff! I have been playing for a long time but I always felt a little stuck in the Jazz genre. These lessons are what I was looking for because they only imply earing and playing typical jazz sounds and making them your's so they can pop into your improvisations later on. There is no bettr way to learn and Robert Conti is a real champion teacher.

Judge.me YouTube video placeholder
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Entrada Archtop Guitar
Elliott Seymour - Plano, TX USA
Everything you described it to be...

Robert, the Entrada is everything you described it to be in the personal video you sent — and more! It plays smoothly and the notes are clear and very sharp. My wife, Linda, likes the color of the guitar, and the look of the Gold Finger tailpiece. In your video you explained that the Gold Finger tailpiece contributes to the sound of this beautiful arch top as well as looking nice.

I have enjoyed my equity model for 10 years, and now I can continue that enjoyment with a lighter guitar around my neck.

I started my Conti journey with your Source Code and Ticket To Improv DVDs, and now I am improving my playing with the live private online lessons with Robert. Wow! Great instructional products, wonderful guitars, and the outstanding teaching of Robert Conti.

Thank you again, and God bless you.

T
The Formula
Tony Silber
The Formula

Amazing stuff- secrets unlocked!

Ticket To Improv, Volume 4 Review in Just Jazz Guitar Magazine

Ticket To Improv, Vol. 4 Review in Just Jazz Guitar Magazine
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By Dr. Dave Walker for Just Jazz Guitar Magazine - August 2012 Issue

They say that imitation is the sincerest form of flattery. If so, then Robert Conti must feel very flattered these days because he seems to have scores of imitators who have just “discovered” the value of teaching without modes or scales. Not that I have anything against teaching with the best methods available, or changing course when you find something better, but let’s give credit where it’s due. I’ve seen Robert Conti abused for decades for daring to teach lines instead of scales and modes, so I think a little appreciation for his pioneering work is in order.

And speaking of pioneering teaching, Robert Conti’s Ticket To Improv series has been a goldmine for guitarists wanting to learn jazz soloing. Ticket To Improv Volume Four returns to the formats of the first two volumes with solos for 4 of the most beloved and requested  jazz standards ever written:

  • Days of Wine and Roses
  • Bluesette
  • Wave
  • Bonus: Georgia On My Mind

Ever attentive to his student/customers’ requests, Mr. Conti gave us the best introduction to jazz blues that I have seen or heard with Volume 3 of this great series, and now he returns to soloing over these new tunes with renewed vigor and invention. These truly are solos that you can “take to the gig” and they will amaze your friends as much as they impress your audience. When I review any learning product I work through it, and I have to tell you that I always look forward to a DVD from Robert Conti. I always learn and lot and have a blast doing it.

Chris Shearer Improvises Over Days of Wine and Roses

This DVD represents a great bargain. Beyond learning four outstanding jazz solos, you get real-world playing tips from a master who really remembers what it was like struggling to learn to improvise. Robert Conti’s on-going comments are more than worth the price of the DVD, even without the solos. There is more useful information here than most teachers would pass on in months of lessons.

The solo lines themselves are miniature works of art, and these are only “beginner” lines insofar as speed is concerned; as Robert Conti demonstrates, taken at speed or with a few embellishments any of the sections of any of the solos would be more than welcome on a professional recording. These are not exercises, they are music.

A very clever touch is the use of variations of motives used in the previous Ticket To Improv volumes, making each one an incremental learning resource. Devices such as extended chromatic passing note motions and extended chord tone arpeggios reappear in new tunes over different chord progressions, modeling for the learner the inner workings of Mr. Conti’s deep knowledge of improvisation. While you do not need to have worked through any of the previous volumes to learn this one, those who have will find their knowledge and confidence growing at an even greater rate. It’s almost as if Robert Conti is tricking you into becoming a much better improviser by having so much fun.

Wave is another great solo and one that departs from the standard 32-bar format which adds even more variety to the material here. Once again this solo is “entry level” in that any guitar player with basic technique will be able to master it, but in any other sense it is truly “pro level.” Mr. Conti demonstrates this on a few phrases here, and I can corroborate what he says. I’ve actually slowed down some of his recordings and many of those lines are found in the solos on the Ticket To Improv series, at slower tempos and in some cases slightly simplified. In fact, many of the “off the sheet” tips that Robert Conti provides are ways to take these lines to the next level while developing your own personal style. Quite a “bonus”!

"Robert, I just wanted to thank you for putting all the patterns together, and providing a desperately needed "jump-start" to my single line soloing. After years of books and lessons, I finally am developing a platform for pulling it all together. Much gratitude for your guidance and looking forward to accomplishing more with continued work on your DVDs. Best wishes to you."
Rick Leichman
Mt. Mourne, North Carolina

For those who may not know, when discussing improving speed and accuracy Mr. Conti refers in passing very quickly to “another DVD” – this is his The Precision Technique, which I highly recommend to anyone wanting to improve both speed and accuracy in their playing. Of course, you don’t need blinding speed for these solos since they sound very good at almost any tempo. Bluesette is a nice addition that will give you some experience soloing in 3/4, which sometimes gives the impression of going faster than the actual tempo since the bars are shorter.

Another great bonus of this DVD is the ways that earlier motives are re-used to fit over different chords and progressions. This not only demonstrates how to adapt these lines yourself; it also gives you insight into how Mr. Conti himself views the guitar neck and how he can improvise at such blazing speed. A related point is how to change positions smoothly and how to use the entire neck, rather than being handcuffed to a single position.

This actually gave me a moment of concern when I first worked through Georgia On My Mind. This is one of my favorite tunes, and I had been hoping to see it on a volume of Ticket To Improv, but when I saw that it was the Bonus Project – one that would consist of sections of the previous solos re-purposed – I was a bit worried that the solo might not be of the same level as the others. I need not have worried! This might be the finest of the solos, and it certainly does justice to this great song with a solo that anybody would be proud to play in concert. It is just as valuable as a lesson on taking parts of lines and reworking them over similar (and even some not so similar) chord progressions. If you can take musical phrases from Wave and Bluesette and play them over Georgia, you are well on your way to being able to solo over virtually any standard.

Never one to put his name on another’s work, Robert Conti is scrupulous in giving credit to guitarists from whom he has learned ideas, licks, tricks, and techniques, greats such as Howard Roberts, Pat Martino, George Benson, and Wes Montgomery to name just four. However, the goal here, as in all of Robert Conti’s teaching products, is for you to develop your own style, and to sound like yourself, not a copy of anyone else.

I highly recommend this DVD to anyone who wants to learn to improvise better and to have great fun while doing just that.
Order Here: Ticket To Improv, Vol 4

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2 thoughts on “Ticket To Improv, Volume 4 Review in Just Jazz Guitar Magazine”

    • Jason, you are definitely welcome. By now you know that you have one of the very finest products for learning to improvise jazz. Coincidentally, I was trying to post to my own blog about the whole TTI series when the power went out. It seems that the whole area I live in is a flood zone and internet service and power is spotty, but when we’re back up fully I’ll be talking about the whole series. I’m glad you found this first!

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