Worldwide Students Speak

4798 reviews
Entrada Archtop Guitar
James K. - North Dakota, USA
I’d buy another down the road...

August 2017 - After Receiving First Guitar (Blonde)

Robert, I just wanted you to know I have been enjoying your guitar. I had a particularly nice time when I took it to get adjusted today. Thank you so very much for the guitar, and for all the inspiration you’ve given me along the way!!! You’re a class act, and I appreciate everything you’ve shared with me along the way. Be well, and I hope this finds you in good health.

Two Weeks Later

I didn’t want to give blind comments, so after spending plenty of time getting to know my Conti, here are the best comments I can give. Great looking guitar, neck and fretboard feel really good. Took a couple tries to learn how to string, but now that I’m used to it, I love that. A lot actually. Pickup and electronics have a lot of snap, very much so. Easy to dial tone in. Great choice on those. Tuners are nice and responsive. Love the ebony accoutrements. Very classy. I also love the gold hardware. Only one thing I could suggest for improvement: hard to get a strap on the bottom with the tailpiece. Probably supposed to be that way. I just play it sitting, so I don’t use a strap anyway. Great guitar!!! Thanks so much Robert!!!

2.5 Years Later

Robert, I wanted to give you some honest feedback now that I’ve spent plenty of time with my guitar. Tone is fantastic through both solid state and tube amps. Hardware is holding up very well. Took me a few tries to get used to stringing with that style tailpiece. Grown to love it. Stays in tune very, very well. I was a little worried with the temp and humidity changes here. No type of wear or cracking to the wood after this amount of time. Very solid. I use an Oasis case humidifier. Fretboard is terrific, very smooth, no signs of wear. Very, very infrequent adjusting is necessary. Case is one of the nicest gig bags I’ve ever used or seen. Holding up well. I really like the shape of the neck. Fits well in my hand. Many thanks, and know it’s being played and properly loved. I’d buy another down the road.

November 2022 - Second Entrada (Port Wine)

Letting you know the package arrived with no damage over the weekend. Plays beautifully. Looks great. Sounds terrific.

Entrada Archtop Guitar
Ralph Bowe - Columbia, MD USA
You’d Be Smiling Too…

…if you were holding this beautiful instrument. My Entrada is exactly what I was looking for in a new guitar. Great tone, easy to play, gorgeous, and affordable. Pictures don’t do it justice – the combination of the Port Wine finish, gold hardware and inlays is stunning. I selected the dual pickup version, where I can dial the Entrada to either a smooth jazz sound or a more bluesy and even country style. It’s also much lighter than my previous semi-hollow archtop, which helps in how easy and fun it is to handle. Mr. Conti’s video showed that my Entrada performs beyond anything I’ll be able to pull from it. I want to thank him, Mike and Steve for all of the great customer support they provide, both in the purchase of the guitar and for the courses available from the Robert Conti website. If you’re looking for a great jazz guitar that’s both elegant looking and a joy to play, get an Entrada – and then you’ll be smiling too!

Entrada Archtop Guitar
Eugene Albrecht - Rotonda West, FL
Struck gold with this guitar...

Received my Entrada yesterday! Wow! What a great guitar! I love it! The look the action and sound without an amp is incredible. I’d say I’ve struck gold with this guitar. From the personalization, the video to receiving this excellent looking and sounding guitar. I’ve never received a guitar I can play without a setup. You are one special man helping me achieve my last goal in life, to be a jazz musician. Your luthiers have done a fantastic job creating this valuable instrument for me. I feel very special having this incredible instrument. I look forward in the lessons you have provided for me.

I finally found an instructor and not just a scale

It's nice to find an instructor who understands that practice doesn't have to be boring!

Entrada Archtop Guitar
Randy Allred - Bellingham, WA
Best I've ever played...

"I've been playing my gorgeous new Conti Entrada for a couple of weeks now, and I'm convinced it's the best-playing guitar I've ever owned, maybe the best I've ever played. The combination of the Ebony fingerboard, perfect fret size, and the amazing attention paid to the fretwork, all lend a sure feel to the fingers, instantly evident in difficult passages. The setup was terrific, including the perfectly slotted nut. On top of it all, the guitar is so beautiful. Buying was a remarkable experience—the commitment to excellence and personal attention this company provides is unmatched in the business world. Kudos to everyone!"

Entrada Archtop Guitar
Charles Perry - Findlay, Ohio
Better than the most expensive guitars…

Totally Responsive Sellers and Excellent Guitars!!! These guitars are just as good if not better than the most expensive guitars you could buy!!!

Vol. 2 Rhythm Changes
Everton Armstrong
Very grateful.

This very informative to me. I been playing for many years and have always have hinderances in some areas of my playing, but I am thinking this is gonna free me up. Your videos have already open up mine eyes to great possibilities. Thanks for your instructional videos.

🦃 Save 30% Thru December 1, 2022 With Coupon Code: TURKEY22

The Conti Philosophy

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The great guitar players learned to play by playing the guitar. That sounds simple and it is but then ask yourself why so many teachers make playing music among their lowest priorities. They assign all sorts of esoteric scales, modes, chord formations, fingerboard patterns, numerical mumbo-jumbo everything except the very music that the learner wants to play. This may build character and it certainly builds the teacher’s bank balance but does it do justice to the learner? Robert Conti is a teacher with a difference. He is a pioneer in jazz guitar teaching who early on discovered that the way to learn to play jazz guitar is to play real jazz lines, not to study scales and modes endlessly. By playing real jazz that is just beyond the player’s current ability, Mr. Conti provides an attainable goal that increases both technical proficiency and a sense of achievement in the student. Nothing succeeds like success, and no one practices so willingly as a learner who is making progress.

Many types of learning bear out this methodology. Consider language. We learn it by hearing others speak and gradually using it ourselves. We do not make 3-year-old children sit through courses on grammar and syntax. We do not correct them by insisting that they use only certain structures. “No child, don’t say ‘ma-ma’; say ‘Good morning mother, how are you today?’ ” In fact we only become concerned if they do not learn to speak this way. And when a child does speak, we do not just hear our own words parroted back to us – soon the child can form his or her own ideas in sentences which are completely original.

Wes Montgomery tells of his start in the music world. He learned the solos of Charlie Christian note-for-note, and played these in a band, but that is all that he knew. “I’d lay out until time came for my solo, play it, then lay back out again.” After months of this, and at the insistence of his band leader, Wes discovered that he could come up with his own ideas, and as time went by he sounded less like Charlie Christian and more like Wes Montgomery. He learned the language of jazz guitar and became able to “speak it.”

In refining his teaching approach, Robert Conti soon realized that this was the most effective approach. Like spoken language, music is an aural art – we hear it, and are heard when we produce it. To learn the language you had to hear it, become familiar with it, then produce your own. To learn to play jazz guitar, you had to play jazz guitar, starting with simpler but real jazz lines and progressing to more complex ones. The student starts by copying real examples and progresses to producing his or her own.

The Conti Approach is what academics classify as experiential learning. You learn by doing something, starting simply and gradually increasing complexity. This may be more precisely defined as Situated Learning, which means that the skills are developed in and for a specific milieu. With jazz guitar that would be the jazz world in general, and jazz gigs in particular. From this viewpoint, if you only practise scales then they are all that you will be learning to play. If all of your practice is just for your next lesson, you will be learning to play for a teacher, which is why Robert Conti produces solos that he urges the student to “take to your next jam session or gig.” The materials and context are aimed toward performance, not toward a lifetime of lessons as a perpetual student.

My own expertise is in a refinement of situated learning called Legitimate Peripheral Participation, coined and explained by Jean Lave and Etienne Wenger. It may sound daunting, but the term is very precise. Lave and Wenger pointed out that many activities are best learned when the tasks leading to them are real, authentic actions that someone proficient in the field would perform (they are “legitimate”); that the learner works in the field, but at its “outer edges” rather on the cutting edge or center of activity (peripheral); and that the learner is a true part of the community, say by playing at jam sessions or gigs (participation). From this viewpoint, a jazz guitar learner would become a jazz guitarist by carrying out authentic learning activities as a junior member of the jazz community, maybe as a regular at jam sessions or as a sideman for an established player. Think apprenticeship. Think comping in a band until you learn the repertoire of songs. Think playing someone else’s lines until you are confident enough to come up with your own.

The Conti Approach To Jazz Guitar

Robert Conti provides just this approach to learning. All of his soloing courses, from beginner to pro, feature his full performance of the material along with a bar-by-bar breakdown and explanation of the material. This is an updated version of a traditional learning method where beginners would go to a gig just to watch a master’s hands as he played, to “cop a few of his licks.” In this case, the master himself shows the student every lick, speeding up the process considerably. Most importantly, these are solos for some of the most popular standards in the repertoire, which means that the learner will have solos to play at a jam session, and thus get valuable real world experience. By choosing songs with common chord progressions, Mr. Conti ensures that the student has a repertoire of phrases or licks that will fit in hundreds or even thousands of similar songs.

Robert Conti’s approach is a hands-on practical guide to playing real jazz. Rather than begin with theory, he lets the theoretical issues arise from actual playing situations, so that the solutions are put in a meaningful context. For example, after playing some of Mr. Conti’s chord melody arrangements, a student might want to learn how to harmonize melodies on his own; or after playing a solo from the Ticket To Improv series a learner might want to increase the speed or precision of his picking. These kinds of issues are covered in the Source Code series of courses which are targeted to a specific need. Again, all of the lessons are geared toward musical solutions and the examples are presented from actual songs that the student will learn.

Of course different people learn in different ways. Fortunately the Conti Approach is flexible, and driven by the student’s own learning goals. A learner may begin with chord melody, or single lines; with jazz or blues; with beginner solos or more advanced : these are just some of the options available. Even those who prefer to start with a more theoretical bent are accommodated with the full Source Code series. The common thread that links all of the courses is the backbone of the Conti Approach: you will learn to play jazz guitar by playing real jazz that is just slightly beyond your current ability. From there, the only limits are your own time and effort!

– by Dr. Dave Walker

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Turkey Day Sale Details

Take advantage of this great opportunity to save big on the most effective jazz guitar learning resources on the planet! Through December 1, 2022, use coupon code TURKEY22 at checkout (be sure to click the apply button!) to save 30% on all learning resources. Please note that Conti Guitars are not included in this sale event.

For any order whose subtotal (total after coupon is applied and before any shipping is added) is $100 or more, you will receive a One Hour Complimentary live lesson with Robert via Zoom!